red pens and other inked words

unsent letters to no one

Archive for February, 2007

Vanilla

Posted by jeps on February 26, 2007

Vanilla

Valentine’s Day and Eddie feels the rustiness in the air. There is red everywhere: red shirts, red roses, red balloons, red lips and red faces.

Gordon asks if people really fuss over Valentine’s like this. “It’s too corny. Like, look at those kids over there. They could have done it any other day but why only now?”

Of course Gordon wouldn’t know, thinks Eddie. He’s just from the farm. He wouldn’t care for these trivial things.

Just then Raiza enters the hallway wearing her hair down. She walks her soft skirt that curls at the edge like her hair.

“Hi.” She smiles to Eddie.

She disappears into one of the rooms, leaving her scent behind.

“Just what was that?” nudges Gordon.

Should he tell Gordon about Raiza and her vanilla-smelling skin? How about the mole on her left shoulder, the roundness of her body, the taste of cherry on her lips and the fireworks that he sees in her eyes when he holds her tight.

Eddie snaps off from his reverie as he sees Kat walking down the hallway.

“This is for you,” Eddie offers.

“Oh, Kisses,” Kat squeals. “Thanks.”

And she gives Eddie a kiss that smears red on his cheek.

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tests of faith

Posted by jeps on February 26, 2007

Tests of Faith

I

A Korean boy goes up to smoking Darna and asks her if she believes in Jesus.

“Of course, I do,” exclaims Darna with big clouds of nicotine. “I also believe in flowers, the birds, the bees, the sun, the clouds, the pokemons and all of the stars in the heaven.”

The Korean stares at her with open mouth and what seem to be open eyes.

The Korean offers her a pamphlet of a handsome Jesus in blue and white robe. But Darna just raises her left eyebrow and laughs.

“Ha-ha-ha-ha.” And she left him with his open mouth.

II

Burt tells the small group of senior citizens that every time a balloon flies, a turtle out in the ocean dies.

Mrs. dela Cerna taps him on the shoulder and says to him, in front of the group, that it’s not funny to tell those kinds of jokes.

Mr. Bernard asks anyway why.

He said, “When a balloon reaches the atmospheric layer where the pressure is too high, it bursts. The most possible area for the deflated balloon to fall is the vast ocean. With its rubbery and gelatinous appearance, a turtle will mistake it for a jellyfish. The poor animal eats it and dies.”

Mr. Bernard claps his hands. He says that it’s been a long time since he met an intelligent kid.

Mrs. dela Cerna disappeared into a corner and chanted her silent prayers.

Burt reads from her lips that she’s praying for the souls of poor dead turtles and for a demonic being retelling their sad fates to the world.

III

Young Fred sits rigid in a multicab. He holds his breath in small spaces and twitches his nose with close contacts with other people.

In front of him, just a hair thin away from his knees, a couple locks up each other in embraces.

Fred squirms as the man circles his arm around the woman’s shoulders, smelling her hair. She looks at the window but her hand grips on his other arm.

As they pass the Redemptorist’s Church, the couple unlocks their arms and did sign of the cross.

In the name of the Father. Fingers on the forehead.

And of the Son. On the stomach.

And of the Holy Spirit. On each shoulder.

Amen. And they kiss.

Fred glares and slaps the woman’s leg.

“That’s my father, you bitch!”

IV

Marie picks up a cigarette butt on a gutter outside San Pedro Cathedral. Another piece for my collection, she thought.

It’s only five o’clock and the show in Rizal Park won’t start until six. Knowing the organizers, it won’t really start until seven thirty. She goes inside the Cathedral and wait.

She sits at the back of the church, few columns away from the center aisle. It’s been a long time since she entered that building. The hallow noise, birds twittering, the scent of burning candles, the holiness of each flap of fans and the divine light that shines the naked body of Jesus at the main altar. All these are almost forgotten in Marie’s busy life.

Clang. Clang. Clang.

The mass is about to start. She struggles with the idea of getting out but where will she go? At the park? She hates standing and waiting. It’s better to sit and wait.

She decides to stay and listens to the mass.

Minutes pass as people stand, sit, stand and kneel. Her eyes brighten as she sees them start a queue. These people will gather in lines until the last of their breath for that small piece of white bread, a morsel of heaven in their mouths.

As the line nearest to her grows thin, she stands and goes to it.

“Body of Christ.” The old man in white robe asks rather than offering.

“Amen.” And he places the bread on her tongue.

Hmmm. She almost forgot that ephemeral sweetness of hostia, that soft crust that crumbles in saliva like dust.

Going back to her seat, she goes directly to the exit. At Rizal Park, people are still adjusting the audio system. She takes out her dry hostia from her mouth and places it in her wallet together with the cigarette butt.

Re-starting an old hobby, she thought.

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Jonathan

Posted by jeps on February 26, 2007

JONATHAN
(After Lilledeshan Bose)

Everybody has a boyfriend named Jonathan. Jonah, Junjun, Nathan, Anthony, Tony, Wanwan, John, Troy.

They are sweat-smelling and rough and big from a basketball game. They have clean haircut, pressed polo, big backpacks and white rubber shoes. To be with a girl, they hold doors for her, shake their shoulders and puff their chests like young roosters. 

These Jonathans have roses and chocolates for you, a candlelit dinner for two, and quick kisses in dark movie houses. You practice your lips every Friday night for a date on Saturdays with Anthony.

Junjun waits for your arrival in his favorite internet station. You imagine a night on a secluded beach with Wanwan, gathering smooth shells like counting small stars. During afternoon breaks, Troy steals away from his class just to join you on your pineapple pie diet. You sit on a park bench with Jonah, holding hands, talking about nothing. Nathan is hesitant but lets you have a sip on his beer. At the finals, Tony waves at you from the court and you give him a flying kiss. John drives you home after a party and talks to your father like any good boy will do.

Many times you travel out of the city and you are tired for the trip back home. You yawn at every passing town when Anthony pulls your hand, let your sleep on his shoulder and he smelling of baby powder. From then on, you dream of every bus trip smelling like his shoulder.

But during the lonely Christmas when every Jonathan must go back to their provinces, the cold freezes your heart and the rustle of the people isolate you in your own city. The colorful lights blind you away back to a childhood dream, a vision of a different boy.

Arms flung apart, his eyes wide like smiles; he takes you away from your family on your sixth simbang gabi. He asks you to run through his meadows, to hit from his joint and to join him catch morning fireflies for his delight.

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We Nice Boys

Posted by jeps on February 22, 2007

We Nice Boys
(after Gwendolyn Brooks)

We nice boys. We
make noise. We

say crass. We
stash grass. We

slit wrist. We
throw fist. We

booze beer. We
go queer. We

love bed. We
play dead.

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is sublimity subjective?

Posted by jeps on February 22, 2007

09:38 PM 2/3/2007

I’m blogging. Hurray! Such an achievement. This is my first time to blog a blog. This is just an attempt. I hope it will work.

Two weeks ago, I was reading a book and got so engrossed on it that I let it affect me. It was only a book, I told myself many times, but I felt like dying. It was good. Somewhere between the lines, there is an unlying theme of death.

The book is so dark that it tasted like sugar. While reading, I thought of death surrounding the very air I breathe. I thought of suicide, leukemia and AIDS and all that is death, the secession of life. (But not death performed by other human hands.) It was so good that I always thought the book would swallow me anytime that I started to cry for the character.

The story was about a boy who wanted to grow up fast. The boy grew up. He traveled the world, met several people, did many things, partied, drugged, killed and loved. Now he’s afraid to grow old. Events occurred which made him young forever. He was happy. He continued to travel the world, met more people, did more things, partied, drugged, killed but not loved anymore. He met a person, which made him feel special. They went along for sometime. They had loved. But the other person soon aged and died. Now the boy wanted to die but cannot. They say the day he decided not to grow up was the day he died. It was sad.

I felt drunk after reading the book, like drinking dark sweet rhum. I felt as if the book was part of the dead boy, his bony white hand wrapped in supple skin clutching my hand not to let go. When I finished the book, I felt more death, lonely death, as I close the last page and finally let go of that part that is connected to the boy. I became sadder because I never get to know what became of him after that. I wanted to more about the boy. I wanted to search the very mind of author only to find out what happened to him after she has written him all up. I went emo for days. (By the way, my emo is not the music genre but a severe state masochistic loneliness. Let’s make these terminologies serious.)

It was hard. The very sunset that caressed my back in UP atrium while waiting for my next subject was black. Black is the color of the sky, and for the past days, it has been bringing black clouds to rain black tears.

Adding to this sadness was people who shared their yearnings, their old passions and never-ending high school songs. They call it nostalgia. I call it shit. It’s fun because in a sad place like UP, there’s nothing more comforting that the warm memories of our happy, young days. I can’t contest with the thoughts of childhood friends, first crushes, and the music that bound us together into an invisible era. We all go through that “bittersweet longing for the past,” but please, utang na loob, STOP!

It’s not helping because when they share, I wallow in their sadness and feast on it. I eat the very loneliness their hearts feel. But when I share, when I replace the dark blood they let their wrists shed, they think I have a major problem. They think I’m bullshit. So let’s cut the crap. Stop all of these emo shits. They’re the bullshit. Not me.

The last pages of the book were spent listening to REM’s “Night Swimming,” Verve Pipe’s “Freshmen,” that “Runaway Train” song and “Mombasa” from Denigrate. It was, again, rather sad because they were nostalgic songs.

Haha. I now remember. The first ever music video I saw was from Bjork. It has to be Bjork. I don’t know what the title of the song is. The video was done in monochromatic scheme, something like sepia or blue. She was in a Chun Lee hairstyle, standing, balancing and singing at the back of a truck while it sails the streets of New York. They played it fifteen years ago over and over again together with the Cranberries, Oasis and Mariah Carey. I didn’t know it was Bjork back then but I saw the video again in MTV last semester break. I remember the truck and the Chun Lee hair. It has to be the first video I saw, it has to be. Too bad, there’s no more of Bjork and MTV nowadays.

I feel so lucky because I became part of the last generation who experienced the full-blown power of MTV. Not MTV of the past five years but MTV of the 90’s. Well, not just MTV but the whole music in 90’s. Ahh.. That young sweet decade. Full of angst and hope. I really wish to go back there.

I feel stupid when someone talks and says that they want to live in the 60’s, 70’s or 80’s. They say music back then was greater. Whatever! They seem great because the only songs we hear from those decades are those really great. The Philippines didn’t experience the greatness first hand. We are all born decades too late when it comes to music. You think your lola allowed your mama to listen to dreamy Beatles or Beach Boys? You think they know them back then? Dream on! I bet our mamas didn’t feel the greatness of that band not until the world wept for the death of John Lennon, and that was way after the band broke up. I don’t know but in respect to the great dead gods, ROCK ON! It saddened me that Lennon died before I get to know his music first hand.

Speaking of the dead Lennon, I heard he was gay. He married Yoko Ono because she looked like a man. His real love was someone from his own band. I don’t know who, maybe McCartney. Maybe it was part of the sexual revolution that was happening in his long dead time. Haha. At the same time, the Philippines back then was struggling with Marcos and his wife. Oh, those great megalomaniacs. I wonder what would have happened if Marcos didn’t won his second term and didn’t rise to be an ultimate dictator.

Haha. My friend back in high school first asked me that while we were watching our classmates play a little gig in an abandoned building. The guitars were authentic but the drums were made of biscuit tin, plastic pale and an old pot hammered together on an old school chair. All of us were doing the vocals of Hoobastank. The building was called Annex and molded with fire and rust. He sat beside me, at the back of a classroom, smelling of mold himself. He began asking me nerve-wracking questions that he knew no one could answer. He was like that for days after he handed me my sister’s copy of Bob Ong. I liked talking to him because he was a genuine person. He was intelligent but he was not afraid to show it. He wouldn’t even stop to think if he’s being intelligent or not. We just talk. He was not aware of his brightness. The last time I talked to him about those trivial things was a year ago. He asked me what if hell is not made of fire but made of coordinate planes. You can stand on the origin and trace your way on all quadrants every time Satan or God throws you a problem. You are lucky when they toss only x + 1 = 8. I wonder if he got that from Bob Ong.

He liked to talk about Bob Ong. He said Bob Ong is cynical, funny, questioning, and talks about everything as if he knows everything. In short, the very image of what every Filipino is. I like his bravery for he is never afraid to talk about things he liked. At that time, I already dismissed to him that Bob Ong is nothing but a know-it-all preacher. But he kept on saying his name as if Bob Ong was a messiah. Haha. How I used to believe Bob Ong was God.

The last time I talked to him, about his hell of coordinate planes, he also asked me if I believe in God. I said yes. I believe in the flowers, the trees, the clouds and all of the stars in the heaven. He asked me to be little serious. I said that maybe my idea of god was somehow distorted and I was afraid that it wouldn’t return to what it used to be. He only smiled.

I’m sorry if I’m jumping from one subject to another, one coordinate to another. Anyway, going back to the dark soul that is the book, I’m re-reading it again. See you all in hell!

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mag-Empoy ‘ta choy!

Posted by jeps on February 22, 2007

mag-Empoy ‘ta choy!

Choy, ali, mag-igit nalang ta og Empoy.
   wala’y gama ‘nang mag-inusara dira,
   kanang magtanga ug magdumdum kaniya.

Tara, sa panganud ‘ta maglanguy-langoy.
   atong mga kalipay ug gugmang hupas
   sa mga bituon ‘nato ipagawas.

Halad ‘nako kanimo usa ka lapad.
   kining bunawang likido sa’kong baso,
   mau ‘ni ang hinga sa mga ginuo.

Makatambal gayud ni sa imong samad.
   dili lang ni sa mga kagaw mudulot,
   magmaoy pud ni ug sa langit mulusot.

Hala! husto na kana imong paglurat.
   dili ‘na makatabang imong pagbasol
   sa kaugalingon nimong pagkamanol.

Hoy! duol diri ba. Usa nalang ka-shot
   imong mga kasakit, ato ‘nang lumsan,
   ilubong ‘nato’g sabay sa kawanangan.

Palihug, hangyo lang, sayang ang panahon
   atong kinabuhi, di’ napud magdugay
   diri sa yuta kung aha ‘ta nisubay.

Kabalo ko, Choy, si Buloy lisud lim’ton.
   apan mao lang kini akong paagi
   nga s’ya uyon niini, nga s’ya wa’ lim’ti.

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This Paper Will Bleed

Posted by jeps on February 22, 2007

This Paper Will Bleed

Once bare,
like the midnight sky on New
Year’s Eve in Davao wrapped in
muffled rain shower, black
and white thoughts of
a sick young poet now fill
this blank paper.
Once an empty shell, this
thin crust houses a citadel of outpouring
wild and savage emotions.
Here the poet gashes forth his black
lead, white ink, fake tears and fresh drool
on the whiteness of its skin,
playing the fortune-teller that he is.

Once young,
like the virgin pulp from which
it is made, the moment
this paper will leave its nest,
the harbour of the young poet’s mind,
it will live and die at the same time.
It will flourish away from its parents to
live what has been foretold,
to fulfil a prophecy.
It will live to glorify the poet’s words,
and die for the sake of it.

Once true,
like the purity and nakedness it
truly conveys, it once possess,
this paper will bleed on the hands
of the fortune-teller’s oppressors:
his classmates, his teachers, his idols, his gods.
And like the back of his hands,
the poet knows that
this paper will bleed like an
assassinated congressman,
fire-cracked fingers, or
any tomato-pasted dish.

my love for you..

My love for you is like of this golden
liquid in this crystal glass on this old wooden table.
Its solitude fills the numbness of this empty night, crying
its bubbles out like the bursting and calling of a faraway star.
The mustiness of the room multiplies its potent fragrant, like that of
a dead rose, seeping through the cracks on this old and lame table.
Above a lonely bulb casts its lonely stares on its golden face,
playing the subtle songs on the willows of its crystal dress.

My love for you perspires like of this crystal glass with this
golden liquid in it on this musty and old wooden table.
Its naked skin is teased by the coldest wind of the
night, undressing it more to its barest skin.
The transparency of it all looks back at me, as strong
and as proud and as loving as the darkness captured by your eyes.
The curve of its mouth exudes the most sensual of all scent, like
that of your hair freshly dipped into a basin of soapy waters.

My love for you is like of this old wooden table, with this
golden liquid in this crystal glass perched on its head.
Yes, its existence is the only strength that drowns,
and dissolves the absence that is this empty night.
Like you, it stands on the center of this room, the
center of my universe, lulling the echoes of time.
Never like the sound of it is heard before when this
crystal glass with this golden liquid in it made contact with its moss.
The antiquity of it sings and extends eternity, right before
its beginning and more to its end, resonating.

And when all of these collide, when everything
breaks and riots just to be whole again,
like the bubbles of a waterfall in the depths of an empty
valley, like the screaming of lights in a thunderstorm,
like how your eyes whisper ‘I love you,’
like this word, and like that period,
my love for you is but a cliché.

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Reading Longinus

Posted by jeps on February 22, 2007

Reading Longinus

I

round eyes

 

 

w                     

i

l          

l

 

 

 

r           a

               o          m

 

 

 

the

world

 

between your pages.

 

I will scribble black words on your margins,

fold a hundred times the corners of your ears,

swipe your entrails with a bookmark, a credit card,

table napkins and an empty condom pack.

 

I will run soiled fingernails that will embed a mark on your face,

massage, caress, lick, smother and kiss your body with scented powder.

I will pray to Dionysus for his most favored muse to conquer me

and let me talk to your holy grounds and run to your city

and beg with big eyes like a Japanese cartoon’s

just for me to touch the very soul of your being.

 

I will wake on the beds of undusted corners

‘till the first light bless the smiling cold shadow away.

And I will stay over eternity to reach the

limits of your pages where I hope

to write what I engraved

on the big toe of the

Statue of
Liberty:

 

“I was HERE!”

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Merienda

Posted by jeps on February 22, 2007

Merienda

You come as late as a night in Norway
and cannot pass between what meridian
is and equators are.
You immediately squat in front of me in that
dirty red kiosk shooing away black flies like
denying away my presence.
You placed the remnant of your merienda
on the table, a clear cellophane
filled with black liquid, floating with
vestal green stalks of a raw fruit,
attracting more flies than ever.
Faster and faster like a helicopter
in a hummingbird’s wings,
your gaze sails around the sky,
the tree, the table, the crowd eating
their afternoon snack away,
resisting the magnetism my eyes lay on you.
Like North Pole and South Pole, always
together but never together.
Was last night’s drunken kiss still
makes you quiver like the same
wind that cools our faces from last night?
You scratch a skin in your elbow
like a stigma of disease you got from a whore.
You held your silly stare again on
the planes of swarming black flies.
Silly is the for dark salty water,
that desires to surrender its life and spice.
You fake a laugh at a thought that never crosses your mind,
while you drink that dark salty water from your cellophane,
only to realize sooner or later that silly
is never always that red pod on your tongue but that
black denial in your fluttering eyes.

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The Musician

Posted by jeps on February 22, 2007

The Musician

On a stool, in a cabaret,
behind a microphone, with his guitar,
blinded by the lights, in front of a nonchalant
audience, he whispers
a prayer between his quivering lips.
On a night like tonight
the young musician, perhaps eighteen,
makes a deafening point stand
on the edge of his teeth and
makes it dance into the air
among the willows of graceful smokes
and untouched notes.

Then what?

His long river black hair willows with the smoke,
sailing from his virgin scalp through the
LV patterns in his shirt,
touching nothing, dissolving into the night.
Thick brows meet in the middle of his
forehead, frowning at nothing.
He closes his dark sweet eyes into waiting.
He knows that any minute now, sweat
will break behind his ears to wash
the disquieting silence.

Now what?

This is also the time when the
night hangs itself upside down,
numb and still and beautiful
in the air and waits for the
musician to ring a bell.

But where?
                   w
                        h
                            e
                                 r
                                     e
                                          ?

This time his smoke-filled eyes gather
the corners of the room for
a flower to place in his song,
perhaps his mom, perhaps a man.
He hits and strums the first note.
And everything goes the usual
as any other night, dissolving.

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Morning After

Posted by jeps on February 22, 2007

Morning After

It could be that the world was still
young that when I opened my eyes
everything was blurred by the soft
milk light that failed to seep through
broken windows.
It could be that a mist or dust that
shrouded the room was the same
ghost that enveloped my judgment
the night before.
It could be that the dream that sang
its way up to the waking world echoed
the dances of last night and of
nights before.
Or that lingering smell of the last drop of
beer resonated its bittersweet soul
to the first cup of coffee of the day.

But no.
I transported myself away from the
shrouded room and bittersweet coffee
into the palace of waste, the room of
should-not-be-named.
I sat on its lone throne and claimed a reign.
For a moment, the world glided in my head.
In one mighty quench, my soul unloaded its
burden from last night and from nights before.

And yes.
It was then that everything cleared to me.
I flushed the clouds that hover on my cup
of coffee and promised to myself, never to
dine anymore onion soup with beer.

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unang maoy (siya)

Posted by jeps on February 22, 2007

Unang Maoy

Sa among kinabuhi kami nangandoy, naglupad.
Among giabrihan ang mga linya sa ‘mong lapad.
Sa among mga wait ‘nang bulan ngadto nisinaw.
Sa kahayag sa mata among kalag naglutaw.

Kaniya nisalig ako samtang iyang giyabo
kining katam-is nga nigakos sa iyang baso.
Nihalok s’ya aron wagtangon ang kagaw sa samad
ug nipiyong sa ampo ilalum sa akong palad.

Niuyon s’ya niini, nga taliwas sa kapait
kung mudutdot sa samad, magmaoy og mas musakit.
Pugson man nga ilimud, dili gayud, kay nihungaw.
Nagdahum ko sa iyang kahubog ko manghunaw.

Sa akong pagmaoy siya niduol og nitudlo:
‘Sa tiyan ibutang, bay, dili iagi sa ulo.’
Apan ngano man, choy, wala ko gitambagan,
nga ang lapad, kung sa pait, dili mahimong tig pas-an?

Matud pa namulak ang katam-is sa iyang ulo.
Apan duda ko nitugway lang ‘ni sa iyang baso.
Karon pa ba s’ya magmaoy ug sa ako mubasol
nga ang katam-is ko sa iya wala na niduol?

Ug apan ang bulan nihanaw sa ‘mong mga wait,
among kalag sa hayag nga mata wala nihapit,
gibalik niya ug akong gitambalan ang samad.
Apan wa’ na nawagtang ang peklat sa among lapad.

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Unang Maoy

Posted by jeps on February 22, 2007

Unang Maoy

Sa atong kinabuhi kita nangandoy, naglupad.
Atong giabrihan ang mga linya sa ‘tong lapad.
Sa atong mga wait ‘nang bulan ngadto nisinaw.
Sa kahayag sa mata atong kalag naglutaw.

Kanimo nisalig ako samtang imong giyabo
kining katam-is nga nigakos sa imong baso.
Nihalok ka aron wagtangon ang kagaw sa samad
ug nipiyong sa ampo ilalum sa akong palad.

Niuyon ka niini, nga taliwas sa kapait
kung mudutdot sa samad, magmaoy og mas musakit.
Pugson man nga ilimud, dili gayud, kay nihungaw.
Nagdahum ko sa imong kahubog ko manghunaw.

Sa akong pagmaoy ikaw niduol og nitudlo:
Sa tiyan ibutang, bay, dili iagi sa ulo.
Apan ngano man, choy, wala ko gitambagan
nga ang lapad, kung sa pait, dili mahimong tig pas-an?

Matud mo pa ang katam-is namulak sa agtang ‘mo.
Apan duda ko nitugway lang ‘ni sa imong baso.
Karon pa ba ka magmaoy ug sa ako mubasol
nga ang katam-is ko sa imo wala na niduol?

Ug apan ang bulan nihanaw sa ‘tong mga wait,
atong kalag sa hayag nga mata wala nihapit,
ibalik kanako ug akong tambalan ang samad.
Apan di’ na mawagtang ang peklat sa atong lapad.

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initial prayer

Posted by jeps on February 22, 2007

Dionysius,

Try harder, boy. Try harder.

Unlock the gates of your Muses

And let your Power flood me

____________

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